Saturday, August 21, 2010

Guest Review: Nuala Ní Chonchúir's You

           You by Nuala Ní Chonchúir
           New Island Books, 2010,
           Reviewed by Rachel J. Fenton

Nuala Ní Chonchúir's début novel tells the tale of a young girl who interprets the life she and her siblings inhabit in their urban gothic surroundings with simple yet insightful prose. Set against the ominous and symbolic backdrop of the River Liffey, You contrasts the seeming simplicity of the girl's conclusions about her eventful life with the deeper and more complex ramifications of her mother's behaviour.

There is a central, and somewhat obvious, tragedy to Ní Chonchúir's story, and readers who are unfamiliar with her work may see this as the core of the novel itself; however, Ní Chonchúir is a quiet intellect and You is far more complex than the breezy, fast-flowing, colloquial narrative suggests. The real tragedy of You is its framing of society's criterion for a failed woman.

Woman, in all her broken states, is embodied in You's character tour de force, and each has her patriarchal compare. The protagonist's mother takes up with the picaresque Kit, local butcher and lad about town, and in a scene redolent of Joseph Ferdinand Geuldry's The Blood-Drinkers, he takes her a meat offering which the protagonist turns away from in revulsion. In accepting the bloody gifts, the protagonist's mother is made a prostitute in her daughter's eyes, even if the young girl does not yet know that word, and perhaps an addict in the reader's. The mother's seeming inability to direct her own course in life is a source of consternation to her daughter, yet, in the novel's pivotal scene, it is the inaction of three males which brings about what will be regarded as the books most memorable tragedy.

Ní Chonchúir's skill is her ability to subvert and to break down labels, racism and sexism included, into their core traits and to show they are seamless, as an estuary.  She makes accessible to a wide audience what has often hid in the dense prose of high-end literary fiction and been the seminar agitator of choice for academics. Her prose is both dignifying and empowering to her subjects, and it is her psychological ableness which will mark Ní Chonchúir as a writer of significance.

Rachel J. Fenton is an English writer who paints and lives in Auckland.  Her flash piece "Rogue Trading" was shortlisted for the Fish 2010 One-Page Prize, and links to more of her published work can be found at her blog:  snowlikethought.blogspot.com. She is currently seeking representation for her novels.

Sunday, August 15, 2010

Cecily Tripplehorn: The Six Percent, A Survivor’s Story

Maybe it was just mother’s intuition. In retrospect it seemed like a premonition. We couldn’t have predicted that my mother’s advice would eventually give me the courage to save my own life.

 “If anything ever happens to you, if you’re ever attacked, scream your lungs out and resist with all your strength. Your chances of attracting attention and getting rescued are better while you’re still in a public place than if you’re taken,” Mom would lecture every time a news report popped up covering someone like Natalee Holloway or Chandra Levy.

“Sure, Mom,” I always replied, humoring her and thinking, what are the odds?

May 17, 2006. Twenty-six years old. It happened in Amarillo, Texas, at a park in an upscale neighborhood referred to as the good side of town. I didn’t have the patience to sit through my boyfriend Jim’s softball game, so I rollerbladed around the field in the humid spring air under the bright stadium lights. The sounds of softball fans cheering drowned out everything else, and the smooth, even rhythms of my stride calmed me and erased the stresses of daily life.

Finally, muscles aching, I headed toward the parking lot to grab my water out of Jim’s truck. That night the fields were so crowded we had to park on the front row. “Perfect,” Jim  had muttered earlier as he squeezed his black Dodge Ram into the tight space. “Right in the fly ball zone.  Might as well paint a big target on my windshield.”

I climbed back into the tall truck and gulped down some Evian like I’d just crossed the Sahara. My breath returned to normal and I stepped out of the truck to make my way toward –

Someone grabbed me in a headlock from behind. Surely just one of the teammates playing a joke, I rationalized. Not Jim though.  He’s busy pitching. Whoever it was threw me into the driver’s seat of another truck beside Jim’s Dodge. A leering face in a red, white and blue doo-rag hovered over my wide eyes and gaping mouth, and it was definitely not Jim, or one of his teammates, or anyone I knew. All logical thought processes froze at that moment as he pressed up against my dangling legs so close I couldn’t move. “Don’t scream,” he snarled as he put his hand over my mouth. Those words made me snap back to reality, and I started screaming as hard as I could. But my screams were indistinguishable from the cheering fans just about 50 feet away.

Then, a flash of silver in front of my face. “Shut up and get in the truck or I’ll slit your throat.” His voice was full of rage. Images of everyone I loved flashed through my mind.  In that instant I knew I wasn’t afraid of death, but I was deathly afraid of what he might want to do to me first. Thoughts of Jim, alone and frantically searching for me after the crowds dispersed before having to call my parents when he realized I was gone were too much to bear.

In a move Jason Bourne would envy, I grabbed the blade of the knife with my bare hand and went Billy Blanks on him. The blade sliced into my palm and fingers, but a rush of adrenaline suppressed the pain. Driven by survival instincts and the determination not to cause my family suffering, I resolved that this man could not, would not control me. There was no way I could kick him with my legs restrained by the weight of his body, but with the keys in my hand I went for his eyes. Never again do I wish to feel the primal urge to kill someone in defense of my own life.

Frustration began to overcome me with the realization that I wasn’t inflicting enough damage. His 5 foot 9, 195 pound construction worker’s build was stronger than my 5 foot 6, 130 pound frame, no matter how many cardio kickboxing classes I’d taken.

But then I sensed that the element of surprise was shifting. He didn’t want to be caught; that much was obvious from the look of shock on his face when I started to resist. And although we hadn’t attracted any outside attention yet, clearly I was more trouble than he had bargained for.

Nevertheless, the punches kept coming and stars danced in front of my eyes. Don’t pass out, I thought to myself. Keep fighting. Don’t pass out.

At last I got in a hard jab to his temple, and as he shook his head, I gathered all my strength to force myself out from underneath his grasp, falling and scraping my knees on the rough asphalt.

But it wasn’t over. He went to grab me again. Just then I looked up to see someone walking into the parking lot. Relief flooded my entire being and I suspected he was an angel disguised as an umpire. Somehow, with my hands shredded and still on rollerblades, I managed to scramble to my feet. Then I was standing near the umpire, Alvino Alvarez. Tears clouded my vision as I gasped, “Please get his license plate.”

My attacker jumped in his work truck with the construction company logo on the door and peeled out, almost running over a couple who tried to block his escape.

Then, a blur. Crowds of gawkers. Police statements. Ambulance. Hospital.

At the hospital, the shock wore off slowly, in layers, like scrubbing ink off skin. A detective was taking yet another statement while doctors and nurses buzzed around. I couldn’t remember my address. I wasn’t even sure about my age at that point.  “It’s okay,” the officer said.  “Temporary memory lapses are typical after trauma.”

“You did the right thing by fighting back,” a nurse commented as the doctor carefully inserted nineteen stitches. “Did you know only six percent of victims manage to escape like you did?” I feigned cheerfulness to assure my boyfriend that I really was okay. Jim stayed at my bedside until we were released an exhausting seven hours later at 5:00 a.m. After a quick stop at the 24 hour pharmacy for some pain meds, at last I could rest.

The next year seemed endless.  My relatively sheltered and comfortable life was now interspersed with periods of anxiety and apprehension. The day after the attack, I identified the attacker, Dewey Mack Evans, from a photo lineup at the police station. Other witnesses corroborated.  The following month, in June, U.S. Marshalls surrounded a gas station across the state border in Oklahoma and took Evans into custody. That September, Jim and I got engaged. The next June, we were married. Then in August, 15 months after the attack, the trial began. Evans and his attorney concocted an elaborate story claiming I attacked him.  The poor guy was just defending himself, the slick lawyer explained.  When they accused me of perjury it started to feel like I was the one on trial.

The jury deliberated for an excruciating four and a half hours before convicting Evans of aggravated kidnapping with a sentence of 80 years in prison. Since he was on parole for armed robbery at the time, he also had to serve the rest of that 10 year sentence. Evans wouldn’t be considered for parole again for at least 40 years at the age of 86. By then he would be too old and decrepit to harm anyone else.

The courtroom trial was over, but my emotional trials were ongoing. My emotions were a confusing mix of pride and guilt, vindication and cynicism, strength and vulnerability. While I tried to deal with the situation without dwelling on it, not a day went by that something or someone wouldn’t remind me of it. Never again would I feel comfortable alone in a parking lot or exercising outdoors by myself. But I was also bizarrely thankful that it had happened to me. If he had chosen a different victim, I might have turned on the T.V. that night to see another Natalee Holloway-esque story, and a predator might still be free.

The haunting faces of missing girls are a repeat occurrence on the nightly news. Each time their parents appear begging, pleading and crying for the return of their daughters, my eyes brim with tears and I feel an inexplicable kinship with these young girls and women I have never met. That could be my family, heartbroken and searching for closure they might never receive. My tears are followed by waves of guilt because I survived and they didn’t.

My happy ending could have been another victim’s final ending.


Cecily Tripplehorn is a survivor, a wife, a daughter, a sister and a high school English teacher.  For this article, she consulted the work Kidnapping: An Investigator's Guide to Profiling by Diana M. Concannon, 1st ed., London 

Sunday, August 1, 2010

Review: Susan Slaviero's Cyborgia

Cyborgia by Susan Slaviero
Mayapple Press, 2010,
Reviewed by Janelle Elyse Kihlstrom


Susan Slaviero's first full-length poetry collection, Cyborgia, takes on the ambitious project of imagining what "female" would look like at the dawn of a post-human age, and her playful, cerebral, at times demanding poems rise to the challenge, densely packed and fully loaded with visceral imagery and wickedly inventive wordplay.  These poems are worth reading because they are fun, provocative and at times disturbing but also because they have something to say about a moment in our collective future that may come sooner than we think and what it could mean for one gender in particular.


The epigraph by Donna Haraway is a quote I'd come across as a college student, when the territory of feminism was much more familiar to me than that of cybernetics, and it made an impression on my evolving feminist consciousness, as well as the way I viewed technology, having been one of the last in my class to hold on to her Smith-Corona word processor rather than trek down to the computer lab:  "I would rather be a cyborg than a goddess."


That statement opens so many areas of inquiry surrounding the dynamics of power between genders, the nature of the choice to claim a sexual identity or identities versus androgyny, and the fundamental question of what it means to be human.  It prompted a shift in the way I viewed technology and its relationship with my gender, past and future.  Slaviero's collection explores all of this territory with a welcome balance of optimism and caution.


In the two sections that comprise the first half of the collection, "The Red Queen Hypothesis" and "Celluloid Marionettes," Slaviero imagines the genesis of the female cyborg.  In "Agalmatophilia," she is an animated doll, who "sees you as architecture, as blue libido," and in "Parthenogenesis," she is a mother of mutinous clone daughters.


The cyborg creations in these sections are largely passive, deriving what power they may possess from what they lack, the vulnerability of human flesh and how that shades consciousness.  Violence is enacted upon them, but they only respond insofar as they are programmed.  In "Bride of Frankenstein 2.0," the cyborg speaker hears "the cadence" of her "own dissection" but is indifferent:  "... This flat/ affect is characteristic of my vampire/ < species > / I will not burn, even at blue temperatures."

"Consider the Dangers of Reconstructing Your Wife as a Cyborg" ends on a different kind of note, in which self-awareness implies grave danger for the would-be cyber-Svengal addressed in the poem:  "... You are superfluous.  This house is fully of zygotes, the tran-/ sister radio, the refrigerator.  Lampwire and smoke detectors.  In the/ twenty-six minutes since I've been resurrected I have devised about/ ten different ways to disassemble you.  Imagine what I could do with/ an hour and a box of power tools."


The third section, "Boolean Fairy Tales," was the most fun for me, as I've admired Slaviero's unique takes on folklore and mythology for several years.


There is a millennia-old tradition of myths being adapted and re-adapted to accommodate new questions that crop up as a culture's technology evolves and its prevailing values somewhat laggingly absorb the shock, and here Slaviero brings familiar tales and tropes into the Cyber Age.  It's a brave new world of robot wolves, cybernetic mermaids and gynoid armies.  


And again here there is a progression of the poems' cyborg heroines from animated dolls to self-aware agents.  The section begins with "Bluebeard's Clockwork Bride," where the familiar villain grows bored with his new creation because she cannot suffer, and so he remakes here so that "This time, he gives her skin./ This time, he programs her/ to be afraid of fire."


However, in "Gretal Discusses Her Prosthetic Arm," the heroine delights in what she can do for herself:  "... Now, this/ mechanical limb works better/ than flesh.  I chop onions for stew/ with a built-in chef's knife, open/ wine with my corkscrew thumbs./ I have become more than mere/ girl; I am an armory/ dressed in gingham and lace./ You would never suspect/ that my ulna is a loaded gun,/ that the bend in my elbow bears teeth."


In "A Cybernetic Mermaid Dreams of the Sea," the speaker claims to have "... no interest in catching sailors/ or cliff diving.  I have become something different/ than what you intended...."


"The First Cyborg Epistle:  Mythology," from the final section, "Ontology of the Virtual Body," addresses the curiosity of a corporeal race toward our inscrutable successors:  "You try to understand me as ergonomic, the random flickering of cir-/ cuits for this dolls' apocalypse.  Yes, I dream, but not of sheep, electric or oth-/ erwise.  I am the corkscrew universe, my eyes metalmoons, the planets/ hidden between aluminum rods of warped spine.  What monstrous/ couplings and recouplings make this avatar of steel ships and colored/ wire?  You ask for clarification but I am not programmed to answer/ your metaphysical questions...."


It's not a new problem.  How can anyone fathom the universe behind another's eyes, whether the computational machinery ticking there is carbon-based or silicon?  We're all enigmas to one another at the same time as we're reflections of the star-stuff of which we're all made.  But in the post-human age that Slaviero imagines, in which one self-aware being can fashion another, turn her on with a switch, and then run for cover, things get just a little more complicated.

Sunday, July 18, 2010

Diane Glancy: A Rocky Shelf

I’m not sure when it occurred to me.  Maybe it was while traveling between St. Paul and Kansas City.  Maybe it was the early retirement program at my college in Minnesota, though I was old enough to retire.  I wanted to be closer to my three grandchildren.  I had been commuting anyway.  Some semesters, leaving after classes, it was dark before I made it to Iowa.  There also was the weather, snow and ice.

I signed the retirement-agreement contract, which required the exiting professor to give up tenure and enter a four-year sabbatical at half-pay, and wrote a prospectus of what I planned to accomplish during the four years.  It was mostly writing projects.  Nowhere was the real reason listed—to be a grandmother.

I wanted to enter that world of young grandchildren that is only there for a while—because it fit in this situation—because it was possible—before they are so engrossed in their activities they tell me to wait in the car.  Soon they will be on with their lives and I imagine myself a backdrop, less important in their lives, as it should be.  Already, I am the outsider; once in a while, an insider.  I know the tightrope between, and the frustration of dealing with three young children each one going their own way.  I already have felt estrangement with the oldest because of his insistence on dominating his two younger siblings.  I don’t like the meanness they thrust on one another when they fight.

Sometimes I return to my house and sit by myself in the quiet.  Sometimes I even feel a slight anger.  I was a tenured professor.   I could do what I wanted.  What I eventually wanted, was to be with my grandchildren.  I gave up my beloved position of 17 years, and tenure for which I had worked hard, and worried over just a few short years earlier.

I wanted to be a part of their lives because I began to see that being a grandmother was a continuity.  What I couldn’t do for my children, or didn’t know to do, or was too harried, or unhappily married, I could re-do.  Being a grandmother is a revision.  A chance to rewrite.  A privilege to add to what their mother is doing very well, though her husband travels for his work, and she is under the stress and pressure of young children, and as with current life-style a hundred activities a day.  One Saturday alone is filled with soccer games, birthday parties, a multitude of errands.

I wanted a chance to be a better grandmother than mother, in an unsatisfying marriage, impatient, hurt, longing for a way out.

I wanted to provide stories for my grandchildren.  “What book did you bring me, Grandma?”  They ask when I return from a trip.

It is in stories, oral and written, that I have my being.  On a recent sleep-over, I read six books to Libby, who had opened a 7th when I turned out the light.  I want to provide stories for my grandchildren.  I am buyer of books, a filler of bookshelves.

A grandmother’s story-telling is cartography.  It is map-making.  This is where we have been.  This is where we can go because of words.  Cherokee, which I do not speak, is a language like a lake with its rippling edges, the water, moving, sometimes restless, always with fish in it, mysterious, the submerged meaning, the reason for water is a holder of fish, as language is the holder of words to tell us where and how we are going.   I also want to instill them with a sense of faith.

There are times with my four-year old granddaughter, Libby, especially, that I feel the concept of time space in physics.  A connection back to my grandmothers born in the 1880’s.  A continuum of voice, of story.  A physical presence of the past that I give my granddaughter, not in words, but in essence, in connection to something larger than the two of us.   It is not in words, as I said, but a sensed distillation of time in a small shape that is the moment between us.

On Fridays, sometimes, I take Libby to art lessons at the Nelson-Atkins Art Museum in Kansas City, Missouri.   It is where I went as a child.  It is where I took my children.  Afterwards, Libby and I go to Winstead’s on the Plaza for fries and a milk shake.  This week, when I read her the flavors, she says, “cherry.”   As she is drinking it, she tells me she likes cherry shakes, “but not a cherry in a circle.”   I want to be there to receive that kind of information from her.  I want to be there when she takes a risk of a shake she may not like.

At the Nelson, Libby works with clay.  “It isn’t ready to bring home yet,”  she tells me with a sense of importance, but she gives me a collage she made.  It is a piece of black paper with fragments of colored paper glued to it, and a few crayon markings on the fragments.  I like her work because I am a worker in fragments.  I am separated between cultures, places, languages.  I have the grandchildren’s drawings in my house and at my cabin.  At my house, Libby chooses to add her collage to a paper-construction robot made by the boys, which they taped to my dining-room wall.  Actually, her collage improves the robot greatly.

While she is at her art lesson, I walk through the museum.  There are several of Henry Moore’s pieces at the Nelson.  I identify with one in particular, Draped Seated Woman, 1957-58, because I am draped with the heavy covering of grandmother.  In a note beside the sculpture, Moore wrote that he wanted to “connect the contrast in the size of the folds, here small, fine and delicate, in other places big and heavy with the form of the mountains, which are the crinkled skin of the earth.”  Moore’s sculpture is a nearly life-sized woman cast in bronze, her face a wedge without features.  Almost like the beak of a bird.  But when I look at the folds in the drape covering the woman, I see the folds as waves on a lake.

I want to say that grandchildren make you selfless.   It is all them.  Their clothes.  Their toys.  Their furniture.  Their happiness.  But it is selfishness.  They are mine.  Mine.  All mine.  No one else can have them.  They also are where I meet defeat in my importance/unimportance in their lives.  I used to walk into class and students listened.  I marked papers and gave out grades.  “Do you know, grandchildren, what your grades would be for today?”  I have wanted to ask.

Even in the early days, when I was writing at my small desk and my children were young, I felt the pull between work and children.  I want also to be there for my daughter, to give her a break now and then, to help her with her load.

Now, when there is a battle of the wills, I know it is their lives that are important.  Their road ahead.  I step back where I could have lead the class.  I could march into it, but instead I follow. What I have now is a departure from history.  A center that a grandmother had.  Not it is auxiliary.  It is beside the family.  They have their own lives.  I can contribute and not get in the way.   I give the reins to them.  It is the new definition of grandmother because I want them to be independent and responsible for themselves.  That is the new direction.  I have to let go.  I return to my house with relief.  I can sit at my word processor and write.  I can read.  I can go to the lake by myself.  I can get lost in my own projects, which is what I want to do for the afternoon.  I can plan for my next writer’s workshop.  I can pack for a trip.  I can still drive.  Sometimes I don’t see them for days.

My own maternal grandmother lived on a farm.  We had visits there in the 1940’s when I was growing up, but I remember her as distant.  Practical.  Once I took a chick into the farmhouse and was petting it when she saw me, and asked what I was doing with the inference I was silly.  It was a chick she later would behead with an ax for supper, when it was bigger and covered with white feathers.  I remember those little Ann Boleyns of the barnyard.  I have found my own beheading in giving up part of myself for my grandchildren.  I want to provide that presence for my grandchildren.  I want to have an awareness of themselves in the world.

Often, in the past, the Indian grandmothers named the children and had a definite authoritative role.  It is something I wouldn’t think of doing with the independent daughter and daughter-in-law I have.  It would cause trouble.  Resentment.  I feel I have information that sits at the center of the world, yet I am left with duties I have at the moment, shortening a penguin suit for my granddaughter for the current Halloween.  Last year, it was white feathers I sewed back onto her chicken costume when they kept falling off.   Sometimes, I also read to Libby and Charlie while they mother helps their older brother, Joseph, with his homework.

My purpose as grandmother is to cause fun to form in the daily routine, to distract from trouble, to console, to call to look up.  Sometimes I am aware of the weariness children feel as they move along in school, busier all the time with homework and activities: soccer, basketball, baseball, gymnastics, art lessons and all the dancing lessons for Libby, the doctor and dentist appointments, Cub Scouts and piano lesson.

When I take Libby to gymnastics and dancing lessons, I stand at the glass watching her.  She in turn, watches me to make sure I am watching what she can do.  If I look away a moment, she is at the glass to get my attention back to her.  I visit her pre-school.  I take her on errands.  I am a prop instead of the center pole.  It seems to me that is the way it should be.  It is worth the price.

Recently, when Charlie was sick and unable to go to a basketball game with his family, I sat with him while he cried in the misery of his illness and in being left behind.  I want to commiserate when his parents are too busy.  I want to be a spark, an incentive.  A light.  Being a grandmother is an act of prayer against the terror of the world, a grounding of faith for this solitary road.   It is the times I am overwhelmed with the noise and confusion, and have to withdraw to my quiet house.  I have had 25 years on my own.  But I want to stand up and join the battle.  I want to ignite. To call to journey.  To tell them, see how the petals of the orange roses on your mother’s table are like flames.

My grandchildren are in a new world.  I have to stand back and watch, as maybe my paternal grandmother saw me and remained silent.  It is the separation that holds us together.   I think of the secret things that will die in my world as the world of my father’s mother died with her.  The other day I wanted to call the grandchildren to watch a storm, but they were watching a video when all the mystery of the natural world passed by.

I have taken Charlie to the lake with me.  He is wedged between siblings, and needs a larger space at times, a space for himself.   I have seen him interrupted so often by older brother and younger sister, he gets frustrated and breaks out in anger when trying to say something.

At the lake, I have a Jon boat, which is a small, brown fishing boat, though I don’t fish, with a battery operated motor.  We explore the end of the cove.  When the water is low, there is a rocky shelf we call Charlie’s Island.  Usually it belongs to the ducks.  We motor there, a trip of two minutes from my dock.  We get out of the boat and walk the entire length of Charlie’s Island, four or so yards.  We throw rocks in the water.  They are more like pebbles.  We find a walking stick.  We move rocks around with the walking stick.  We talk.  I listen to every word he says.

Even when Charlie’s Island is underwater, we know the rocky shelf is there.

In a spirit dream, where all things are possible, I sew the fragments of pebbles into a small island.  My needle penetrates the rocks.  My threads hold them together.

The role of the grandmother is a rocky shelf.



Diane Glancy is professor emeritus at Macalester College.  Her 2009 books are The Reason for Crows, SUNY Press, a novel of Kateri Tekakwitha, a 17th century Mohawk converted by the Jesuits, and Pushing the Bear, After the Trail of Tears, the University of Oklahoma Press, that follows her 1998 novel of the Cherokee Trail of Tears.  She was the Visiting Richard Thomas Professor of Creative Writing at Kenyon College in the winter semesters of 2008 and 2009.  This piece first appeared in Melusine's Fall 2009 issue.

Sunday, July 4, 2010

Devon Ward-Thommes: Becoming the Pelican

During my second fall semester in college, the sorority house where I lived hosted one of the largest date functions on campus, Assassins.  Each couple was given the names of another couple – these were their victims.  The goal was to find your victims in the dark, and when you did, they were “killed” and called out of the game; the last remaining couple was the winner.  I don’t remember now what the prize was for winning, but I’m sure it came with lots of popularity and respect.  My roommates and I spent months preparing for it – all through September and October we talked about who we’d invite, what the best hiding places were, how to know your victims in the pitch black darkness.  One of my best sorority friends, a Korean girl named Sun, designed the t-shirt – black with white silhouettes of three skinny, big-breasted girls in mini-skirts and platforms holding guns like Charlie’s Angels framing the word ASSASSINS on the back.  We were so pumped for this shindig.

We decorated the dining hall with streamers and made “better than sex” cake – a dangerous concoction of vanilla ice cream, peanut butter, crumbled Oreos, and M&Ms all smothered with chocolate sauce – for our dates after the event; I certainly wouldn’t eat the stuff.  What I remember of the actual night is fuzzy, out of focus like a bad photograph.  My date was Andy Miguel, my beautiful Filipino boyfriend, star quarterback, secretary of Phi Delta Theta fraternity, student body president.  We wore our black shirts with pride, and painted our cheeks with stripes of greasy black paint like football players.  Everyone wore black bandanas, strips of cloth tied around their arms, anything to make them look bad-ass.  Then we turned off all the lights and the chaos commenced.
   
There were screams and heavy breathing and pounding footsteps down the hallways. I grasped Andy’s hand – my palms were sweaty – people were groping and gasping and screaming.  We hid under one of the bunk-beds in the dormitory for awhile, tried to distinguish feet running by, the sounds of people banging around in the dark.  We ventured out and ran through some rooms, and then hid in the costume closet, but that was all.  Soon, we heard some loud wailing, all the lights came on, and the game was called off.

The dining hall’s fluorescent lights were blinding.  People sat around on chairs, wiping sweaty foreheads and smearing their make-up.  At least two or three girls were crying – someone had a bloody lip, another girl had banged her forehead into the corner of a wall, the popular soccer player, Karen Lewis, had sprained her ankle.  Stacey mopped Liz’s bloody forehead, Megan blamed her boyfriend for her broken glasses, and they argued until he left, yelling angry words behind him.  I don’t remember where Andy was.  I sat in the corner, heart beating fast, watching the streamers sway and drift around all the angry, red-faced people.  Most of college was like this.


At nineteen, I still believed the truth was that not eating lunch, running a marathon, and joining the crew team would bring lasting happiness, the truth of who I really was.  If I just worked hard enough then all that pain would bring looser clothes, a flat stomach, pure, unadulterated satisfaction in hard work paid off.  I’d learned that beauty equaled happiness - thin, graceful, tan, toned beauty – the people I wanted to be inhabited the pages of Seventeen.  Some were even in my calculus class.  My peers who seemed happy all weighed less than 130 pounds; they had long, shiny, straight hair and big smiles and popular boyfriends. I thought if I could just control my frizzy curls and have one of those hard-ass stomachs, I would be well, and able to relax, and feel fully alive.  At nineteen, this is what I believed.

But I did know a few true things, underneath all the layers of spandex: I had the sneaky feeling that there was more to life than what I could see and hear and touch and taste.  I suspected that God probably existed among all of us stumblers.  And that almost everyone was struggling to wake up, to be loved, and not feel so afraid all the time.  That’s what all the clothes, make-up, elliptical trainers, and string bikinis were all about.  I knew that I wasn’t alone in the dark – I could hear others fumbling around just as awkwardly as I was.  The trouble was that nobody knew where the light switch was.  Nobody even seemed to care.


By the time I joined the varsity lightweight crew team during the spring of my freshman year, I’d developed a curious and wildly ecumenical faith stitched from scraps I’d gathered in reading and participating in various wisdom traditions – Native American, Taoist, feminist, Buddhist, even Catholic, in those sweet, slow days cherry-picking with my ex-Catholic priest father, who taught me to meditate and believe that we are all sons and daughters of God, whoever that was.  According to him, she was most likely female.

My closest friends were my competitors – my best friend Annie Chesnut who turned anorexic our last year of high school, all the girls skinnier than me who rowed on the lightweight team, the sorority sisters who hoarded bagels and granola bars and never came to house meals, my popular, manipulative boyfriend.  What I didn’t know was that my strictest competitor (and my best teacher) would turn out to be the person I hated most – me and my body.

Before every crew regatta, we’d all had to weigh in, each girl peeling her jersey over her head and stepping on the scale.  Sonja, our team captain, weighed 132, two pounds over the lightweight cut-off.  So she ate only rice cakes the day before each weigh-in, and then spent hours dressed in five layers of clothing, sweating off the pounds on a stationary bike in the boathouse.  One time, she was just a sliver over – 130.4 pounds – so we’d all watched as another teammate took Sonja’s long cashew-colored hair in her left fist and a pair of scissors in her right, and sliced off the beautiful swishing bundle.  It turned out her hair weighed a measly .1 pounds.  She’d still not made weight, so she’d fasted all day in order to be allowed to row in the morning.

Although I’d started college 15 pounds over the cut-off, by that spring I weighed 122.  I had learned to multi-task: I took my reading homework to the gym.  I spent afternoons there sweating on the stair climber, trying to feed both parts of me – the curious student asking big questions about spirituality and the dissatisfied sorority girl who obsessed about exercise.  I must have seen some incongruity in this, reading about Jung and his collective unconscious while participating in the sad body image soup that was almost tangible in the steamy air, my fellow sorority sisters pedaling beside me, nose-deep in their Shape magazines.
    
Poetry often helped.  When I read Mary Oliver’s “Wild Geese” or anything by Rumi, quick bursts of sunlight streamed through my darkness.  At those times I knew that if you had the eyes to see, there was beauty everywhere in nature, even when it rained spittle rain like God was sneezing, or when sewer stench rising from the river mixed with the sharp odor of wild onions.  I could even see beauty in my girlfriends with large, round bottoms.  I was just glad I didn’t look like them.  Even though I knew some truth somewhere in my body, it wasn’t what I wanted to believe.  I didn’t want to listen to wisdom, I just wanted to have a fast ergometer score, and to be thin.

This time was not so long ago – I was nineteen 7 years ago, a sophomore in college at a small school in Salem, Oregon, where the students were more conservative than the faculty, and ninety percent of social events happened at Greek houses.  I was a new member of Alpha Chi Omega, the jock sorority, I was the girlfriend of the hottest boy in school, and I went to Tuesday night Christian worship services during which young men with soulful eyes strummed guitars with gusto and fervent girls sang loudly, palms open, hands held up to heaven.  My friends were the ones who looked like they had the most fun – the ones who wore disco clothes to school and danced with abandon and laughed a lot.  They weren’t the ones drinking themselves sick every weekend.  They were mostly part of Campus Ambassadors, a large, evangelical Christian youth group.

For a few weeks during the fall, I met with three Campus Ambassador girls on Wednesday nights at 9:00 pm, down by the millstream.  We’d stand in a circle, hold hands, pray together, and tell each other our deepest secrets.  Beth Sweeney talked about how she was slowly beginning to eat again after a year of being too skinny and too sick.  She still wanted to be thin.  She knew it was a problem, but she was doing her best to be healthy.  She was taking a dance class, doing yoga and singing in a women’s choir.  She asked God for help a lot.  I stole glances at her in the moonlight, her bony fingers and painted toes laying atop foam flip-flops.  I understood the voice telling her that she would never be good if she was not thin.  The same harsh voice echoed in my ears, but I never told her that.  I talked about school and crew and Andy, and kept stealing glances at Beth’s waist.  I envied that waist.

Beth was one of my only Christian friends with an eating disorder.  Campus Ambassador parties always included lots of food, which everyone ate with gusto.  My best Christian friend Tracey started a club called Monday-Nice-Day.  Every Monday night, we gathered in a campus kitchen and baked treats – brownies, lemon bars, coconut macaroons, peanut butter bars – and handed them out to kids around campus, who, unlike us, were studying hard.  I nibbled these treats, licked the spoon when we were done, but always felt guilty afterwards.  According to those Christian girls, God was full of grace.  He spoke any time anywhere but could be heard most clearly on windswept beaches and wet forests, through morning fog and burning sunrises, places far away from asphalt and cars.  Christ wanted to be my savior, God wanted to accept me into heaven.  But this promise was not unconditional.  I had to believe that people were originally sinful, that Christ had died for my sin, and that only He, and no other god, could lead me to heaven.  At the service, following lyrics projected onto the overhead screen, I prayed to Jesus to speak to me.  I thought my heart was open, but no message ever came.  Most Tuesday nights after worship I ended up crying in my dorm room, frustrated that I didn’t fit into this nice group of people.  I just couldn’t stop asking questions.  What about all the other people in the world, the Hindus, the Muslims, the Buddhists, the Jews?  Didn’t they have as much right to the truth as anybody?


For Christmas that year, my parents took me to Puerto Vallarta, where we visited Posada Roger, the hotel where they had stayed 25 years ago on their honeymoon.  From there, we traveled north up the coast to a small fishing village called Sayulita, famous for its long-haired surfers and ex-pat artists dwelling in clay-tiled bungalows scattered over the seaside hills.  Sayulita was a great place for rituals and celebrations – it was nearly as exotic as India, including the dying animals and polluted streams that smelled of defecation.  Dudes with rotting dreadlocks smoked hashish on cement porches, naked babes lounged on the beach, and feral cats dug in the garbage.  There were festivals almost every night – New Year’s fireworks, fire-breathers and gypsies in the town square selling hoop earrings and jingle-jangle bracelets.  Women in sarongs sipped martinis in the bars next to greasy men, children played with kittens along the cobblestones and corn fields, artists set up easels on the hilly roads, and surfers congregated in beach-side restaurants to gorge themselves on fried fish and flan.  There was the village church, full of candlelight and poinsettias and beatific, bleeding Christs, there were orgies and mangy dogs and belly-dancers and people in small bits of exotic clothing redolent of spirit and dreams – not to mention tacos grilling in the heat and left-out watermelon, so much juicy life oozing out around the edges.  It was enough to make me nauseous.

I got up every morning at 7:00 am for my hour-long run.  My parents noticed when I returned red-faced and sweaty and did not want to go downstairs for the abundant breakfast of salted and limed papaya, banana, watermelon, pastries from the corner bakery, perspiring flutes of orange juice.  They noticed when I left three quarters of all my meals on the table, the sticky flan attracting flies, and when I studied my profile carefully in the mirror before tying on a wrap-around skit and sliding a sweatshirt over my head for the beach.  I did most of this quietly, and they watched quietly, until my stomach aches got worse.  Every time I ate, my belly erupted into furious gurgles and grumbles, louder than my rare complaints.

At first we thought it was just turista, Montezuma’s revenge.  But my parents had seen me through a grueling year of lightweight crew racing; they knew about Sonja’s impromptu haircut.  The world is so full of pain, and it’s contagious around people you love.  I think my mother suffered more than I as she watched me run and pant and pick at my food.  She had always been my confidante.  But I didn’t want to talk to her about my body; I was listening to that voice residing in a deep, intimate place too tender to expose.  But we also loved to read together, so when her attempts to talk about things ended in more silence, she gave me a book for Christmas.

On the cover, rows of aspens stood out against a yellow background, the forest floor thick with their leaves.  The title, When Things Fall Apart: Heart Advice for Difficult Times, surprised me.  Was my mother saying I was falling apart?  Did she think I needed heart advice for difficult times?  When I first opened the package, my mother must have seen my distress at being given such a book; she said her secretary had recommended it, that she wanted to read it after me, that it wasn’t really as self-helpish as it seemed.  The picture on the back intrigued me – an American Buddhist nun dressed in maroon and yellow, shorn hair fuzzy around her head.  “Pema Chödrön is the resident teacher at Gampo Abbey, Cape Breton, Nova Scotia, the first Tibetan monastery in North America established for Westerners,” I read, curiosity piqued.  One morning in Sayulita, I packed the book in my backpack and after my ritual profile-examination in the full-length mirror, headed to the beach.

I spread out my towel, whipped off my sweatshirt, and flopped down on my tummy lickety-split, so nobody would see my round white belly.  I lay there for awhile, watching all the tan, skinny girls around me brush sand from their oiled thighs and wave at their boyfriends, wet and salty in the pelican-strewn surf.  Then I took the book from my bag, careful to keep the title hidden from view, and started to read.  I don’t remember if I really hoped this book would help me, but I do remember how I was soon mesmerized, agape.  Pema Chödrön didn’t seem to say anything I didn’t already know about fear and truth and the present moment, but it was the first time I’d heard this information given in such a kind, funny, wise, human voice.  She spoke from that same dark, tender place where my neurotic voice resounded, but her message was gentle.  It said: relax.  Be kind to yourself.  You don’t need to do anything else, you’re already awake, precious, whole, and good.  I thought: of course, yeah, I knew that.  But now I could really believe this truth, this truth that spilled out in the quiet relationship between writer and reader.

As I read about calm abiding meditation, that profound practice of watching the breath, I noticed my belly pushing against my ribs, the sand beneath me every time I inhaled.  My body responded viscerally to this wisdom, I felt each cell settle and stretch, feeling itself as if for the first time.  People say about experiences like this that “the veil lifted,” but for me, it was as if I’d been clutching the edge of a cliff and I’d just let go into space.  But it wasn’t a scary free-fall, it was a loosening into innate freedom, space that had been there all along.  Pema Chödrön wrote about discovering what is brilliant and confused in our own hearts, about what is bitter and sweet, and how when we discover ourselves, we discover the universe.  And I felt as though my lungs had just doubled their capacity for breath, for inspiration.

I read all afternoon, belly down on my towel, toes curling in the sand.  There was only me, the book, the sun warming the earth; sunglasses on the sweaty bridge of my nose, the smell of sunscreen, the shush of pages turning, the occasional shift of light or limb.  The wrinkly flower of my heart was opening in slow motion.  I felt I was universes away from those women sprawled on their towels a little ways off.

Pema Chödrön said meditation is a good idea.  So I did it.  I began meditating every morning, right before going out on my run.  I would sit cross-legged on the brick patio of Tía Adriana’s Bed and Breakfast, palm fronds striping shadows across my legs, and I’d listen to my breath, feeling my stomach push in and out, just like Pema said to do.  When my mind got all tangled and distracted, I tried to relax with whatever arose.  I said “thinking” in my mind, and tried to come back to the breath.  I felt air scrape against the inside of my nostrils, my dried-out lips slightly open with the tongue touching the roof of my mouth.  My parents observed me without saying much; I think they were relieved, maybe bemused by my sudden change of habit.  Sometimes I sat with my running shoes on, afraid I would not go running if I was not completely prepared beforehand, like somehow my meditation would calm me down enough to see the truth I did not want to see.  I was afraid that if I saw truth I would accept myself for how I was at that moment, which would mean eating a chocolate bar instead of running, and then just getting fatter and more miserable again.

One day I went running in the afternoon.  In the golden light, I ran past watery-eyed cows and dull-eyed men hanging out at the local bull-fighting ring.  I ended up at the beach.  I felt sick to my stomach, sick of how it stuck out against my tank-top if I did not hold it in, sick of the garbage and dirty dogs and rotting fish all over this god-forsaken paradise.  I went down to the water and sat on some big boulders and watched large black pelicans fishing.  They were humongous, more like pterodactyls than birds, wings stretched reptilian against the sky, and then boom!  They’d jack-knife and plummet toward the waves, beaks wide and scissor-like.  God knows what I’d do if one of those things came at me like that.  After scooping up their catch, they’d settle on the waves, scuttling their feathers back into place, like everything was hunky dory.  No cause for concern, no big deal, I’m fine, everything’s just fine.  Not like I just took the biggest hara-kiri bullet-trajectory path out of the air from twenty feet up and just landed with a PLOOSH in the waves, mouth full of fish.  No, no big deal.

I cried big, heaving sobs, snot running down with sweat and tears into my cleavage as I watched those birds dance.  And then when I was done crying, God was everywhere.  I breathed God in the wind, tasted divine salt on my lips, looked down to see God’s hands resting on God’s skinny legs, blotchy and red from running.  God pounded out rhythms in my chest, and when I looked down at the sandy shells at my feet, there God was staring back at me, from eyeballs protruding on long antennas on a frightened, side-stepping crab.  I collected as many of the purple and orange half-shells as I could and made my way back to Tía Adrianas, white teary flakes still sticking to my cheeks.

That was the day I pecked a hole out of my dark eggshell and saw the world full of birds and fishes, the parts of God that would guide my spiritual path.  This was the day I knew the ingredients that would serve me – wind, water, love, color, prayer, meditation, community.  I knew that resurrection of the heart was possible.

I started praying, not the usual old prayer of “God, send me a sign” or “God, may I be thinner,” but new ones – like just feeling the scrape of my breath or the stretch of my hamstring and delighting in sensation.  The divine was everywhere whether we called it God or Goddess or Buddha nature, poor old Buddha nature, just waiting for me to notice and say hello.  Pema Chödron said “what makes self-kindness such a different approach is that we are not trying to solve a problem.  We are not striving to make pain go away or to become a better person.  In fact, we are giving up control altogether and letting concepts and ideals fall apart,” and I finally understood that this was no platitude.  People were going to come into my life.  Many of them would leave.  Most of the people, even my family and close friends, would roll their eyes and laugh nervously when I mentioned meditating or anything Buddhist.  My sorority friends would stop calling when I moved out the next semester.
    
My parents weren’t there when I got back to the bed and breakfast, so I went into our room, spread out a towel, and did 200 sit-ups and 60 push-ups, half on my knees.  It would be two more years before I took vows of refuge and officially became a Buddhist student, three years before I went on pilgrimage to India and began 100,000 prostrations in the traditional preliminary practices of Tibetan Buddhism.  Seven years after that day with God and the pelicans on the beach, I sat down to write this story.  But I still remember sitting up from that dirty towel, stretching my quads and calves, and then walking out onto the veranda to watch the sun go down beneath a hazy veil.  I felt euphoric and exhausted, as if I’d just plummeted right out of that dark sky, eyes wide and black wings spread, and hit the water with a crash.



Devon Ward-Thommes is a graduate of George Mason University's MFA in Creative Nonfiction program.  She has previously published in Willamette University's Precision Munitions, a journal of French poetry translations called Rien Rien, and Spirituality and Health magazine.  Her translation of Véronique Tadjo's book-length poem, Halfway, is due out from HOST Publications this year.  She currently lives and works at a Tibetan Buddhist Retreat Center in southern Colorado devoted to honoring the sacred feminine.  This piece first appeared in Melusine's Summer 2009 issue.

Sunday, June 20, 2010

Beate Sigriddaughter: Endangered Sunrise

It is dark when I leave the hotel, though I know we slowly rotate into the light.  I run faster than the earth is turning to get a better view.

I am at a juncture in my life.  I have no children.  I have no lover.  Will I live the rest of my life alone?

Though I have a lot of yearning, I am comfortable being alone, vacationing or otherwise.  I can eat a mango for dinner if I want to, or a boiled egg.  I can bite into a block of cheese if I want to, or make oatmeal with hot coffee.  The coffee oatmeal I cannot recommend.  Once in a lifetime is enough.

Each morning I run into the dark, past the far end of Waikiki Beach, up Diamond Head Road, then into a park with three white plumeria trees, then down to a narrow stone walkway by the water where small black crabs scuttle down the side of the stone into the safety of the ocean wall when I approach.  Do they see my huge shadow?  Do they feel the tremor of my footfall?  I am part sorry to disturb them, part grateful for the show they put on for me with their scrambling.

The air is fresh, mostly salt water scented now, rather than the midday tang of sun on wilting flowers or on fallen fruit.  There is no dust yet in the air.

I run back out to Diamond Head Road, and squeeze through one of two gaps in a tall metal fence at the second park, so as not to lose time by backtracking to the open gate.  Then down Beach Drive where I start scrambling over lava rock.  I stop running now because the rock is slippery and I want to arrive at sunrise safely.

Then, breathless, I stand on the sandy beach, waves lapping to my right.  I face east.  My heart beats wildly.  And she rises.  For me, raised in the German language, the sun will always be feminine.  I am jubilant.  I am enthralled.  I bring both my hands to my chest and watch the rising, gold into water, rounding out into a disk, then lifting away from the sparkle of the waves.  The horizon is pure watercolor swirl and magic.

I see dark silhouettes of surfers way out in the water.  The birds make their excited ruckus on the hillside in their bushes and trees.  Two roosters crow above me.  A few rats dash in and out of hillside crevices.


One man in a black wetsuit, not very tall, hunched over, comes jumping my direction among the rocks.  Sometimes his bare feet are in the water.  He fishes for something with a small black handheld net.  He moves in quick jerky motions.  When he passes me, he holds up the net to the side of his face as though shielding himself or hiding from me.

He is there every morning at sunrise, shielding his face and scuttling among the rocks.  He looks young, maybe in his thirties.  He is small, but looks strong, a gnarly kind of strength.  He makes me uneasy.  There are others on the beach, but he is the only one I remember distinctly from one day to the next.

One time there are two beautiful girls with surfboards and bikinis, one with blond braids, the other with golden Hawaiian skin and soft brown eyes.  Another time a couple with surfing gear jogs down the winding path side by side.  There are men in twos and threes.  I don’t recall any of them from one day to the next, only the one unnerving man with the wetsuit and the net that shields his face.

On the way home I pick up a fallen plumeria blossom or two to keep in my budget hotel room which does not face the ocean and does not have a lanai.


On the fifth day I pass the gnarly man with the wetsuit on the water side.  He doesn’t raise his shield net to his face as before.  Instead he raises a stick in his left hand and points it at me and waves it like a menacing wand.  I feel it like a curse, an attack on my peace.

I came here in innocence to pray my morning prayer of thank you to life, to beauty, to being part of this magnificent show called existence.

Now I feel sad and forlorn and robbed of my pleasure.  His face is intent.  His brows nearly join over his nose.  He looks angry.  Why would he be angry at me?

A little while later, I notice him shaking his stick wand at two men a short ways down the beach.  Apparently I am not the only one to bother this gnarly young man.

I try to shake off the feeling of threat, the punch of the angry interaction.  I imagine those two other men probably never give the shaken wand another thought, and I want to be able to do that, too.  But I cannot.


On the sixth day, the sun rises, too, but behind a veiling bank of thick clouds, and the tide is in.  Scrambling on the lava rock is a little more tricky.  Once a wave washes right over my legs, soaking my shoes, my socks.  It makes me smile--a caress of the sea in a climate where wet socks and wet sneakers aren’t a big deal.

Then I see the man close by in the water, jumping about with his net and his hunched shoulders.  I don’t see anyone else nearby.  Fear grips me by surprise.

I try to laugh at myself.  He looks smaller than I am, or at least not much bigger, and he is more than fifty yards away from me, his feet in the water on lava rock.  He certainly can’t move any faster than I can.  But he is a man and yesterday he has made a threatening gesture.  That is enough for full blown fear.

I scuttle by him as fast as a can.  As soon as I reach sand I start to run.

I run until I see surfers further out on the beach, getting ready to go into the water.

It occurs to me, if I screamed, the roar of the ocean would drown out my voice.

I wait for the sun, but it rains today.  I huddle in a little sandstone shelter, big enough for a life-sized statue of a saint, but empty, and I pray my prayer of thank you and also of sadness because of the fear.  I thank life for its beauty and grieve for the sadness that beauty and pleasure can be stolen from me so easily because I am a woman and I am alone.

I have been raised in fear.  I have bloomed in fear.  And I have grown quite old in fear.

Nothing else untoward happens that morning.  Must I now be grateful for the reprieve?  That my worst fears didn’t play out in reality?  I take a different way back to the hotel.  My usual route over the rocks, which I have come to love, would take me once more past the man with his net in the water.  Instead I run up the official winding path back up to Diamond Head Road, consoling myself that even from way up here the ocean looks magnificent.  I see the two roosters heard from below, surrounded by six busy hens, up where the beach access joins Diamond Head Road.

A man once told me women are weak, and I quietly challenged him, “Why do you say that?”  He hesitated.  Yet he was on to something.  How can I be strong when I have been coached for fear every day of my life?

There is a quarter of a rainbow in the sky and I take a vow.  I will work the rest of my days in this gorgeous life to serve women, to do all that is in my power, little as it may be, so that women shall once more be honored in this world, so that they can once again walk the holy ground of this earth without fear wherever they may wish to go, and no matter who goes or does not go with them.

I count the rainbow in the western sky among my blessings for that day, a consolation gift, a jewel to distract me from the stolen sunrise, and a covenant.

Now I have two more days left to dare to run on the beach like a woman who has the right to make her life her joy.  I am not yet sure how I will spend them.  Will I run on the safe path?  Will I mull over fears I have never chosen?

Then I will go home to my mainland city life, where I will work on keeping the promise I have made.



Beate Sigriddaughter is three times a Pushcart Prize nominee and has published prose and poetry in many magazines and ezines.  Her most recent book, The Unicorn And… was published in 2008.  She is the fiction editor of Moondance and founder of the Glass Woman Prize, on which details can be found at www.sigriddaughter.com.  This piece first appeared in Melusine's Summer 2009 issue.

Sunday, June 6, 2010

P.B. deLarios: The Last Betrayal


The summer I was twelve was a Swiss-cheese-liverwurst-and-mustard sandwich summer, lunch eaten perched in the high branches of an old pecan tree. I’d spend hours up there with my best friend Pam, or I’d sit alone, not wanting to be found. I’d tuck my legs up. You learn.

Those dog-panting, hot summer days in Oklahoma, the tree leaves were as still as my breath. Some days I’d spend in the watery shade of cottonwood branches draping into Medicine Creek angling for slick, fat catfish, armed with only my fishing pole, a Tupperware container of grape Kool-Aid and a cut-up chicken neck for bait, the only sounds the hypnotic buzzing of cicada or box turtles occasionally plopping into the silty, red water off their sunning rocks. Only hunger, thirst or dusk would drive me home.

Home. Oklahoma is as much home, to me, as any Army brat can claim. I’ve lived there more years than anyplace I lived as a child.


This morning, I carefully pack the new outfit I bought for my fortieth high school reunion, the sleek black pants that fit like a second skin, the fluttery, low-cut silk top, the gold necklace and matching earrings that glow against my tanned skin. I’m only staying one night, missing the pre-party the night before, opting for the dinner and dance instead. I have no idea who’ll be there out of the six-hundred or so who graduated with me. I haven’t seen any of them since my tenth reunion thirty years ago, a real disappointment.


Sharon was the kind of girl who wouldn’t warn you if you were about to sit on an electric fence. She and her pod would cough curse words at me as I passed in the hall: “Fu-cough-ck you.”  If I talked about a boy I liked to another girl in the ladies’ room while Sharon was hiding in a stall eavesdropping, she’d spread it throughout the entire school. If I hadn’t done anything stupid, she’d make something up.  School was hell back then. So was home.

I was required to eat breakfast with my family every morning—a sit-down affair with all the yes-ma’ams and no-sirs of a military academy. After my Major General father left for work, my stifled mother would criticize my hair, my dress, my friends and finally satisfied with me in tears, send me out the door to catch the bus to school where Sharon and her friends would howl with laughter at my puffy eyes and blotchy red face.

As I was filling out my name tag at the ten-year reunion, Sharon, with her lip curled in a sneer, looked me up and down. “You can’t come in because you didn’t pay in advance,” she said.

Cheeks burning, I threw a twenty dollar bill I had crumpled in my sweaty fist on the table, and walked inside to join my friend Pam. I was sixteen all over again, and in that moment swore I’d never go to another reunion. I didn’t. Until now.

I think this pull I feel to go back is a masochistic urge or some warped sense of nostalgia. I can’t put a finger on it. All I know is, I can’t keep myself from it.


With my parents in an alcohol-fueled argument, usually about us kids, but sometimes about my father’s attentions to other women, Pam and I, with my brother in tow, would duck out after dinner. We used a car to boost ourselves up on a garage roof, asphalt tiles still releasing the heat of the day into our hips and shoulder blades. I’d gaze into the frigid blue vacuum of night, tethered to Earth at my feet, the only thing keeping me from flying into outer space. God’s up there, I thought. Sometimes we’d doze-off, lulled by the warm roof on our backs.
  
Our parents ruled the days. But the night was ours.


When I first got news of this reunion, I tossed the invitation, keeping my promise to myself. But the note tugged at me from the recycle bin. Two days later I dug it out.

Now, I apply my mascara, taking my time. Even though it’s almost a four-hour drive, I put on my make-up now because I don’t know how the light will be in the motel bathroom. I want to look good. I want to look so much better than Sharon.

I wear shorts for the drive, plug-in my iPod. My car sparkles like new from its waxing yesterday. I crank up the stereo, and merge onto the highway.

Time flies at 75 miles per hour on a flat Texas highway heading for Oklahoma. My mind wanders and I think of my friends the summer I was twelve. Friends who, like me, dreamed of escape, friends who, by now, have mostly disappeared.


We didn’t sip the night daintily like refined young ladies and gentlemen. We greedy children sucked and gulped the brown velvet night until it suffused and transformed us. We became predators, prowling along hedges like young wolves, cutting across lawns off-limits during daylight, calling greetings to owls blinking in black-lace trees. We turned elemental after midnight while our parents and siblings dreamed in their warm beds. Peeling off civilized skins down to bare wildness, we donned shorts and canvas Keds and climbed out our windows to join our pack.

We ran through the night, ran from our parents, from adulthood, from confusion, from a world stripped of magic where choices were simply about survival. Nothing frightened us then. We coursed like rivers down hills and around rocks, jumping and whooping with the pure joy of unfettered childhood. We were too fast for death. Our legs, streaked with dew and blades of grass, flashed through fields and over tarmac, carrying us beneath stars so thick and low, they tangled in our hair. We could jump to one if we wanted. We possessed the night like a hurricane, commanded it like sorcerers.  We’d rouse the sun with our shouts.

Panting and nodding to each other with exhilaration for once again slipping our parent’s grasp, we split up and returned to our domestic dens, crawling back over rough windowsills. I’d kick off my wet sneakers and swipe my legs on my chenille bedspread before slipping between cool sheets. In the morning I’d be bound by adult expectations.  In the sweetness of the night, though, I felt my face relax in a smile, my heartbeat slowing down, hiding my wildness again until the next nightfall.


I’ve traveled back in time and feel that otherness now, the old wildness, as I cross Medicine Creek just before one o’clock. I attempt checking in early at the motel but they tell me to come back later, so I head out to the cemetery where my parents are buried.

As I walk through the toothy rows of granite, I don’t see my familiar landmarks.  It’s grown so much, so many have died, I can’t find Mom and Dad’s headstone and cross back and forth between rows and over graves. I look a little more, and then begin to panic. I’m walking around in circles, clutching the plastic flowers I purchased until I see a name I recognize and find Mom and Dad nearby.

Flowers droop in the vases flanking their headstone. They’re mums, I think, but bleached white, the only hint of color near the stems.  Who put them there, I wonder. The fabric disintegrates when I pull them from the Styrofoam they’re anchored in and as they crumble in my hand, I feel the amount of time that has passed since anyone has visited this site.  I stare at the wire stems, tarnished arrows, cradled in my palm, then lay them on a bare grave three headstones down. I crouch down and divide the lilies and roses between the two stone vases and bend the stems so they’ll be the right height. Then step back to eye them. They look paltry. Four more would have made a nice display but they were so expensive: fifteen dollars a stem. But as I look at them, I know, if I’d had four more, I’d have wanted six more, and if I had six, then eight. Still, my stomach twists with shame for not spending a few more dollars on my parents, who allowed my childhood magic, my wildness, in the face of their own reluctant domestication. When I kneel on their graves in the blazing sun, the sere grass snaps and breaks under my bare legs. Tears and sweat run down my face. I want to tell them now, what you gave me was perfect. It was enough.


My pack split up with budding breasts and breaking voices, awkward now around brothers and boys we used to think nothing of running naked with. Gangliness and sharp angles smoothed into rounded hips, a body’s first betrayal but not the last.  No longer content sharing my dreams with only girls, Jesse replaced Pam as my best friend. Jesse, with a half-smile dimpling one cheek and caramel-colored hair wild as a mustang, didn’t walk, he swaggered. He was irresistible.

Jesse was my first love. Eyes closed and holding our breath, we bumped noses, shy but electric in our first embrace, like the shock of cold water on goose-pebbled skin. His mouth tasted of ripe peaches and sunshine, his eyes blue as Oklahoma twilight. I adored him. He gave me his ring with a stone of golden tiger’s eye that I wrapped with tape to make it fit. We vowed to spend eternity together.  We passed the days like Siamese twins, connected by clasped fingers, heartbeats pulsing in our eyes.  At night we laughed and ate dripping ice cream cones, fielding moths drawn to our radiance.

I never saw Jesse again after that summer.


I wander between the head stones back toward my car, the noise of a freight train in my head. I’m disoriented and amid the rolling acres of tombstones I can’t find my car. I finally see it by spotting and following the dusty tatter of road that winds through the cemetery. I climb in. The leather seat sizzles my bare thighs, and I blast the air conditioning. I glance at myself in the mirror. I’m a mess—white runnels down my cheeks where tears and sweat washed away makeup, raccoon eyes from smeared mascara, wet hair plastered to my neck and forehead. I cry anew, pull out my cell phone and call my brother at work. He hasn’t been back to Oklahoma since Mom and Dad died. I drive, and we talk about our time as children, then teenagers in Oklahoma, how we’ve been hurt by what our parents called love, how we disappointed them time and again, how they disappointed us. Be like us; see how happy we are, they said. Were they happy? Neither one of us really knows. We discuss how little we knew them, how we coped with this distance with crushed hearts—me by spending hours in a tree, him by shooting out street lights with his BB gun.

In this moment, we feel the peace of forgiveness.

When I hang up, I don’t care about attending the reunion. In its place burns a desire to do it all again, better this time, with the benefit of hindsight and, God willing, some wisdom. Now, all I want is for my parents to see I’ve made it, turned out okay. I want to use my classmates’ eyes to see myself better, to relive those feelings of endless possibilities. For just one night, let us reverse age, disease, loss and disappointment.


I walk upstairs and find my classmates in a ballroom. Many now are unrecognizable: bald, fat, wrinkled, ravaged by illness. They look like I feel: like prey. They look like they long for the days when the hunt still twinkled in their eyes, before they knew what lay at the end of those desperate nights of make-believe. Many missing are dead, including Pam who died of stomach cancer leaving a husband and three children. No one knows what became of Jesse. Sharon shyly stops me and asks for my phone number, says she lives near me in Texas and wants to be friends. I smile at her and sit down to talk. Time and life mark and humble us. In the end, it’s enough for us all to reconnect with classmates who lived with us for a brief time in the distant universe of our youth.

At midnight, I leave several revelers still drinking and dancing to our old high school rock-and- roll band and walk, spent, back to my room. If I had a cigarette, I’d smoke it.


Next morning, I check-out of the motel at 7:00 a.m. and drive four hours back to Dallas. Since then, there’s been internet talk of having the next reunion in five years, instead of ten.

Maybe I’ll go.  But probably not. Nothing could eclipse this trip. I know where I’ve been and where I’m going.

I have my memories. As for my past and future, I’ve made my peace.

These days, I’m more straggling antelope than wolf. Still, sometimes when I open my window at night and breathe in fresh air, a certain smell hits me and brings back those childhood nights in a flash of movie-picture brilliance, complete with scent-o-vision. My heart thumps in my ears, my legs and arms twitch, restless to be off again, running, with the cool night air skimming my body.

And my ghost chases the echoes with impunity.

Let forgetting be the last betrayal.


P.B. deLarios is a retired attorney who now spends her time writing and staring out the window at birds.  She thinks flying might be easier than writing.  This piece first appeared in Melusine's Fall 2009 issue.